張大千 1978年作荷花圖橫幅

拍品描述

英文品名：A Chinese 'lotus' painting 英文描述：With inscription, date, signature and five seals. 英文品相：Overall good condition. 中文品相：總體品相良好 品相声明：We make every reasonable effort to examine and describe the condition of each lot. Condition reports are provided for reference only and may not identify every defect. Buyers are advised to inspect each lot before bidding. A successful bid is final and binding, and bidders are responsible for their bidding decisions. 本行已盡力核查幷描述每件拍品的品相。品相報告僅供參考，未必能涵蓋所有瑕疵，買家應在拍前自行檢查。拍品一經落錘成交，不得反悔，競買人應對其競拍行爲負責。 细图链接：高清細圖鏈接：https://oag.smugmug.com/201-Sept-2026-Painting The flowers look like modern clerical script characters, and the stem looks like seal script characters. The leaves are like semi-cursive and cursive characters. Once the ink starts flowing, it can’t be stopped; So let them mock me, an old fool, for being so wild. Su Dongpo said that the character ‘ugly’ captures many forms of rocks. For painting lotuses, I substitute the character ‘excessive’ to convey their endless variety. Signed Zhang Daqian (Yuan) of Shu, the summer of the ‘wuxu’ year （1978） Seals stamped on the work: Da Feng Tang (red) Jihai, Jisi, Wuyin, Xinyou (white) Daqian (red) Zhang Yuan’s private seal (white) Daqian’s bold inspiration (white) About the artist: Zhang Daqian (May 10, 1899 – April 2, 1983) was born in Neijiang, Sichuan, and had ancestral roots in Panyu, Guangdong. His childhood name was Zhang Zhengquan; he later changed his name to Zhang Yuan, courtesy name Ji Yuan, and took the religious name Daqian. He also used the aliases Daqian Jushi (the Lay Buddhist Daqian) and Xialigang Ren; he also named his studio Da Feng Tang. He was a modern Chinese painter and a member of the Jingxing Society. Representative works include Lotus, Lake of Love’s Trace, Ten Thousand Li of the Yangtze River, and Autumn Dawn. Over decades of artistic practice, through relentless exploration and effort, Zhang Daqian’s “Daqian lotus” has achieved a special place in Chinese art history. In his painting, the lotuses are poised and graceful, elegant yet accessible, charming without being vulgar, and were composed without being superficial. After he developed his splashed-ink and color technique in his later years, his lotus paintings not only transcended mere botanical depiction, but also pushed the brush-and-ink scope of literati flower painting into a new territory. He didn’t just love painting lotuses, but also loved growing them. Living day and night among the lotus plants, with his sharp observation and highly distilled powers of description, he captured the flowers’ characteristics and fleeting moments over time, then refined and exaggerated them with his own aesthetic sensibility and artistic temperament, imbuing them with profound meaning and vibrant life. This work is a lotus from his later years, combining the splashed-ink method with traditional Chinese freehand brushwork. The lotus is enchanting, and the entire picture is suffused with a rich, misty atmosphere. 東坡雲石文句醜一醜字是以畫石之千態萬狀，予畫荷以一濫字代之千，戊午夏日蜀郡張大千爰。 張大千（1899年5月10日—1983年4月2日），四川內江人，祖籍廣東番禺。學名張正權，後改名張爰，字季爰，法號大千，別號大千居士、下裏港人，齋名大風堂，中國近現代國畫家，景星學社社員。代表作品有《荷花圖》《愛痕湖》《長江萬里圖》《秋曦圖》等。 張大千在數十年的藝術生涯中，經過不斷的探索和努力，使“大千荷”在中國美術史上有著特殊的地位。他筆下的荷花落落大方，雅俗共賞，嬌艶而不俗，沉著而不浮。尤其是晚年創潑墨彩之後，所畫荷花不但超越了花卉的屬性，更將文人花卉的筆墨範圍拓展至另一境地。他不但愛畫荷，也愛種荷。他通過與荷花朝夕相處，以其敏銳的觀察力和高度民主的概括力，長期捕捉荷花的特徵和瞬間的動態，然後用他自己的審美感和藝術情趣加以提煉、誇張，使之寓意深刻，生機勃勃。此幅作品即爲其晚年之荷花，潑墨法與中國傳統寫意手法結合，荷花嬌媚而整體畫面氤氳十足。

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