清雍正 祭紅釉瓶

拍品描述

英文品名:A Chinese sacrificial-red-glazed vase 英文描述:With six-character Yongzheng mark to underside. 英文品相:Overall good condition, with a minor chip to foot. 中文品相:總體品相良好，圈足有一處細磕 中英品相声明:We make every reasonable effort to examine and describe the condition of each lot. Condition reports are provided for reference only and may not identify every defect. Buyers are advised to inspect each lot before bidding. A successful bid is final and binding, and bidders are responsible for their bidding decisions. 本行已盡力核查幷描述每件拍品的品相。品相報告僅供參考，未必能涵蓋所有瑕疵，買家應在拍前自行檢查。拍品一經落錘成交，不得反悔，競買人應對其競拍行為負責。 细图链接:高清細圖鏈接：https://oag.smugmug.com/204-Sept-Day2 Ji hong, also called sacrificial red, is a type of glaze produced during the Ming and Qing dynasties. A legend that spreads around the Jingdezhen area explains its origin. During the Xuande reign of the Ming Dynasty, the emperor ordered the imperial kilns to produce a red‑glazed ware. However, copper‑red glazes were notoriously unstable and extremely difficult to fire. This was a problem for quite some time, especially because an imperial command could not be disobeyed. As the deadline approached and the anxiety of the workers mounted, the daughter of one of the kiln workers threw herself into the kiln. In an instant, her blood dyed the ware, and the whole kiln turned red. Ever since, people have called it “sacrificial red.” The legend can’t be verified, but the extreme difficulty of firing sacrificial red is a fact. The sacrificial red porcelains made during the Ming and Qing dynasties possess a red that does not glare, a vividness that never goes over the top, a glaze that does not run, and no crackles. They are among the most precious copper‑red glazes. This vase has a flared mouth rim, a constricted neck, a globular body, and a shallow foot ring, forming an unusual yet elegant shape. The exterior is entirely covered with sacrificial red glaze, thick and lustrous. The base bears a six‑character underglaze‑blue mark, “Da Qing Yongzheng Nian Zhi,” written within double circles. This Yongzheng‑period sacrificial red vase displays a pure, even glaze color, a well‑proportioned and refined form, and meticulously designed lines. Its shape is exceptionally rare; in fact, no identical example is known. This unique shape fully embodies the graceful yet rigorous style of Yongzheng imperial porcelain. The vase is small enough to hold in your hand, and it would make the perfect desk object for any scholarly study room. If you place it on a table or shelf, it adds a quiet, elegant charm that elevates the taste of any room. Its value as a collectible is extremely high. 霽紅，又稱祭紅，是明清時期燒制的一種瓷器釉色品類。關于祭紅的由來，景德鎮地區流傳著一則悲壯的傳說：相傳，明朝宣德一朝時，黃地下令命禦窑廠燒制紅釉瓷器，但一直以來因銅紅釉呈色不穩定、燒造難度高的原因，紅釉的燒制難題未能解决。但皇命不可違，期限將至，人心不安時，一位窑工的女兒縱身躍入窑中，煞那間，血染瓷器，蠻窑截洪，後人遂稱“祭紅”。傳說無從考究，但祭紅難燒是真。明清時期所燒制的霽紅瓷器，其釉面具有紅不刺日、鮮而不過、釉不流淌、裂紋不出的特點，是銅紅釉中的名貴品種。 瓶口沿外撇，束頸，鼓腹，淺圈足，器形別致。外壁通體施祭紅釉，釉質肥厚。底部落“大清雍正年制”雙圈青花款。 此件雍正祭紅釉瓶，釉色純正均淨，器型規整別致，綫條考究，其器型極爲特別，同類之中未見相同式樣，盡顯雍正禦窑瓷器隽秀嚴謹的時代風格。器物小巧，手握可玩，堪作文房清供，置諸案幾，倍添齋閣清趣，愈顯格調，收藏價值極高。

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