清雍正 粉彩仕女搖鈴尊

拍品描述

英文品名:A Chinese famille rose bell-shaped zun 英文描述:With a stylized emblem mark to the underside. Displays motifs of ladies at scholarly pursuits, a representation of the Hehe Erxian twin immortals of harmony and unity, and antiques that symbolize learning and culture. 英文品相:Overall good condition. 中文品相:總體品相良好 中英品相声明:We make every reasonable effort to examine and describe the condition of each lot. Condition reports are provided for reference only and may not identify every defect. Buyers are advised to inspect each lot before bidding. A successful bid is final and binding, and bidders are responsible for their bidding decisions. 本行已盡力核查幷描述每件拍品的品相。品相報告僅供參考，未必能涵蓋所有瑕疵，買家應在拍前自行檢查。拍品一經落錘成交，不得反悔，競買人應對其競拍行為負責。 细图链接:高清細圖鏈接：https://oag.smugmug.com/204-Sept-Day2 The shape of the “yao ling zun” porcelain basically maintained the basic shape of the in the Kangxi, Yongzheng and Qianlong period, but changed in the late Kangxi period. In the Qing Dynasty, Yongzheng and Qianlong until the Republic of China period, the rattle bell porcelain body was shorter and smaller, such as the shape of the horseshoe, which may have a certain relationship with the aesthetics of different periods, and the shape of the vessel is changing with the times. This vase features a flared rim, long straight neck, sloping shoulders, straight body, and a low circular foot. It is cloaked in a white glaze, with a blue-and-white double-circle cipher mark on the base. The body is adorned with a famille rose depiction of a refined lady, her hair adorned with a cloud-like chignon, her figure elegant, and her delicate hands playing a flute while seated. To the left, the scene includes scholarly objects: ancient books, a flower vase, a qin (zither), a ruyi scepter, a vase, an incense burner, and an oil lamp. To the right, two child attendants stand facing each other, one holding a lotus and the other an umbrella, beside a dish of pomegranates and lychees symbolizing fertility and good fortune. The blue and white flower stamp at the bottom of this product is extremely distinctive. 搖鈴尊瓷器器形在康雍乾三代基本保持搖鈴的基本器形，但是在康熙晚期發生了變化。到了清代雍正和乾隆一直到民國時期搖鈴尊瓷器器身更短小敦實，如馬蹄尊造型，這也許跟不同時期的審美有一定的關係，隨著時代器形在改變。 此尊形似馬蹄，口外撇，長直頸，溜肩，直腹，臥圈足。通體施白釉，尊底書青花雙圈花押款。腹以五彩繪一仕女著長衣長裙，頭頂雲鬢，身段優雅，玉手芊芊，席地奏笛。仕女眉目傳神，寥寥幾筆就表現出美女安靜祥和的神態，可見所繪之人筆力之深厚。畫面左側依次繪古籍、瓶花及古琴、如意、花瓶、香爐，油燈等文房清供，右側繪一持蓮童子及一持傘童子相視而立，旁邊繪一盤石榴荔枝果盤，有多子多福之意。本品底部青花花押款，極爲特色。

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