清同治 胭脂紅地粉彩嬰戲圖燈籠瓶

拍品描述

英文品名:A Chinese famille rose and ruby red lantern vase 英文描述:With six-character 'Tongzhi' mark to underside. Painted with fifteen boys holding various auspicious emblems. These include mouth organs, Ruyi scepters, books, and so forth, representing things such as good fortune, fertility, longevity, scholarship, and wealth. 英文品相:Overall good condition. 中文品相:總體品相良好 中英品相声明:We make every reasonable effort to examine and describe the condition of each lot. Condition reports are provided for reference only and may not identify every defect. Buyers are advised to inspect each lot before bidding. A successful bid is final and binding, and bidders are responsible for their bidding decisions. 本行已盡力核查幷描述每件拍品的品相。品相報告僅供參考，未必能涵蓋所有瑕疵，買家應在拍前自行檢查。拍品一經落錘成交，不得反悔，競買人應對其競拍行為負責。 细图链接:高清細圖鏈接：https://oag.smugmug.com/204-Sept-Day2 The neck is set against a rich rouge (yanzhi hong) ground, meticulously painted in famille-rose enamels with dense scrolling floral sprays, combining technical sophistication with auspicious symbolism. The base bears a six-character Tongzhi reign mark in two vertical lines, written in regular script. Encircling the mouthrim and shoulder are continuous bands of ruyi-head motifs, the gilt outlines crisp and well preserved. The rouge ground, lavish yet controlled, enhances the palace aesthetic and conveys wishes for unbroken good fortune and fulfillment. Rouge glaze, long regarded as a high-ranking and technically demanding color in the Qing imperial palette, was reserved primarily for court wares and ritual objects. Its use during the Tongzhi period consciously perpetuates earlier imperial traditions, and on the present vase the tone is even, deep, and refined, displaying a warm, noble luster characteristic of official production. The body is decorated in a continuous scene of yingxi (children at play), one of the most beloved auspicious themes in Qing court art. During the Tongzhi reign, such scenes were deliberately modeled after compositions and figure types established during the Qianlong and Daoguang periods, preserving an archaistic elegance. Set within a tranquil garden landscape of scholar’s rocks, flowering plants, and pavilions, numerous children engage in animated play. Their expressions are lively and joyful, the figures rendered with fluid outlines, delicately shaded garments, and a bright yet harmonious palette. Each child carries a symbolic object conveying layered auspicious meanings: a ruyi scepter for fulfillment of wishes; flower baskets for flourishing prosperity; peaches for longevity; an official’s hat for promotion and rank; musical instruments for cultured harmony; longevity lanterns expressing blessings of long life; a deer—homophonous with lu—for emolument; and lotus blossoms symbolizing harmony and union. Additional motifs include a festive boat laden with the “Three Abundances”—peach, pomegranate, and Buddha’s hand—encapsulating blessings of longevity, fertility, happiness, wealth, and success. The composition is rich yet carefully ordered, seamlessly blending imperial symbolism with popular auspicious imagery. The rouge ground remains stable and evenly fired, while the famille-rose enamels retain their soft translucency and freshness despite the passage of time. The porcelain body is dense and well fired, the glaze smooth and lustrous, and the foot neatly finished, all hallmarks of high-quality Tongzhi-period display porcelain. Although bearing a Tongzhi reign mark, the form, decorative program, palette, and painterly style consciously emulate the imperial wares of the Qianlong and Jiaqing periods, reflecting the late Qing court’s reverence for earlier standards and its commitment to preserving canonical models. Comparable lantern vases decorated in rouge-ground famille-rose yingxi scenes from the Qianlong and Jiaqing reigns have appeared frequently in major auctions, underscoring the continuity of this esteemed type within the imperial tradition. Distinguished by its auspicious subject matter, accomplished painting, harmonious proportions, and excellent state of preservation, this lantern vase represents a highly desirable example of late Qing court-style famille-rose porcelain, suitable for both scholarly appreciation and refined interior display. 瓶口沿與肩部分別繪飾滿圈如意頭紋，口沿、肩部金綫光潔挺括，胭脂紅地繪以纏枝花卉紋，富麗堂皇，盡顯宮廷規制與富貴氣象，寓意事事如意、瑞氣連綿。 胭脂紅地于清代官窑體系中，向來是等級頗高、工藝考究的重要色彩，因其燒制難度大、呈色要求嚴苛，多用于宮廷陳設瓷與禮器之上，同治一朝承續此制，以胭脂紅爲地者尤顯尊貴，本品發色沉穩勻淨，色澤溫潤華貴，盡顯同治禦窑風格之莊重典雅。 瓶身主體通景繪製嬰戲紋，此題材爲清代宮廷經典吉祥紋樣，同治時期多刻意摹仿前朝乾隆、道光兩朝之構圖範式與人物意態，傳承有緒，古韵盎然。畫面之中，庭院布景清雅，奇石花木錯落有致，群嬰于園中嬉戲玩耍，神態天真爛漫，衣褶綫條流暢，設色明快粉潤，盡顯童趣盎然。童子各持瑞物：手持如意者，寓意稱心如意；手捧花籃者，寓意花開富貴；搬運壽桃者，寓意福壽綿長；手執官帽者，寓意加官進爵；撫琴、執簫、持拂者，寓意清雅福壽、平安順遂；手舉壽字燈者，直抒壽喜雙全；手牽瑞鹿者，以鹿諧音“祿”，寓意祿位高升；手持荷花者，寓意和合美滿。更有彩舟滿載壽桃、石榴、佛手三多瑞果，福、祿、壽、喜、財一應俱全，構圖飽滿繁而不亂，將宮廷祈福文化與世俗吉祥意趣融爲一體。 胭脂紅地發色沉穩勻淨，粉彩暈染柔和通透，曆百年猶存光澤，胎質堅致、釉面瑩潤，修足規整，兼具同治朝陳設瓷的典型特徵。整器從形制、釉色、畫工到題材，均體現晚清宮廷彩瓷的審美與工藝高度，題材吉祥、畫工繁複、保存完好、傳承清晰，既可入藏家典藏，亦宜廳堂雅陳、禮贈嘉會，兼具歷史價值、藝術價值與收藏價值。 本品雖署同治年款，然器式、紋飾、設色與繪法皆刻意追摹乾隆、嘉慶兩朝禦窑舊制，法度謹嚴，古韵猶存。查蘇富比、佳士得歷年拍賣紀錄，乾嘉二朝胭脂紅地粉彩嬰戲紋燈籠瓶屢經上拍，形制紋樣與本品一脉相承，同屬清宮陳設雅器，足見此式爲清代官窑一脉相承之經典，亦爲晚清禦窑踵武前賢、恪守官樣之明證，流傳有緒，堪爲珍賞。

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