A POLYCHROME STUCCO FRESCO FRAGMENT, YUAN TO MING DYNASTY

拍品描述

A POLYCHROME STUCCO FRESCO FRAGMENT, YUAN TO MING DYNASTY China, 1279-1644. The rectangular panel painted with two celestial maidens, one playing the pipa and the other the cymbals, wearing elaborate headdresses and long flowing robes, richly adorned in jewelry, the arm and flute of a third musician can be seen towards the left edge, all painted in polychrome pigments highlighting the gilded ornamentation with gesso relief. Dimensions: Size 113.5 x 52 cm The style of painting in this fresco recalls that of the mid-eighth century temple painting style. Largely ignored by the court and literati circles, this 'flowing water and scudding clouds' (xingyun liushui) manner, reminiscent of the Tang dynasty painter Wu Daozi, was ideal for painting religious figures. Unlike earlier modes stressing precise contours, the whirling spiritual energy of this brushwork gives the impression of qi, or inner life. This animated style has been popular with builders and decorators of Buddhist temples ever since. Literature comparison: Compare the sculpture and murals in Cave 57 of the Mogao grottos at Dunhuang, illustrated in Roderick Whitfield et. al., Cave Temples of Mogao, Art and History on the Silk Road, Los Angeles, 2000, p. 37, as well as the murals of bodhisattva in caves 172 and 199, illustrated in Chang Shuhong, The Art Treasures of Dunhuang, Hong Kong and New York, 1981, paying close attention to the garments and ornamentation of the figures. Auction result comparison: Compare with a closely related, but smaller fresco fragment with a single celestial maiden, at Sotheby’s New York, Important Chinese Art, 11 September 2019, lot 816, sold for USD 37,500.

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